For Performers
AUDITIONS
Cabaret Auditions - October 26-30 (Callbacks October 31)
Cabaret audition materials and information are not available yet. They are likely to be published in the last week of September, but please subscribe for the latest updates, or check back here regularly.
A Midsummer Night’s Dream will audition at the beginning of January.
CASTING
In general, we cast from a pool of performers who are known to us, but only after an audition process is completed. Everyone auditions, whether they have worked with us before or not. There are new faces in every show we produce and we strive to offer opportunities to talented individuals whether they are old hands or new in town.
We strongly encourage you to audition and begin the process of getting to know us, whether you feel there is a part for you or not, and please do not be discouraged if you are not cast - many people get roles after auditioning several times. We do see a lot of people for a small number of opportunities, and a rejection is almost always a case of not being a perfect fit at that moment, rather than any reflection of your talent.
SCHEDULING
We rehearse 3 to 4 times a week in evenings and weekend afternoons over the course of 12-15 weeks at our own rehearsal studio in Williston. Attendance at rehearsal is mandatory.
We recognize that people have lives outside theatre and that most people who work with us depend on day jobs to live. Having said that, we aspire to high theatrical outcomes which rely on appropriate rehearsal time and a high level of commitment from everyone involved.
We create a schedule in advance of the rehearsal process, which is based entirely on the times people have told us they are available. No rehearsal is ever scheduled at a time when a performer has declared a conflict. That is our commitment to you. Your commitment to us (and everyone else in the show) is that once the schedule has been published, you remain available for all scheduled rehearsals. You will therefore know at the beginning of rehearsal exactly when you will be required to attend.
We find that this system works extremely well, allowing people to understand exactly what the commitment is, keeping it manageable, and giving them the maximum opportunity to schedule their lives around it as much as possible.
COMPENSATION
No one at Vermont Rep gets paid to be here - not the people who run the company, nor those who perform in it (with the exception of pit musicians). This is a labor of love and it is exclusive to people who wish to spend their free time coming together to create theatre of the highest caliber.
We have come to the conclusion that “compensation” for the creation of art exists in many forms, and the financial variety is only one. The creative fulfillment that comes from being part of a company of people who aspire to something great, to something bigger than themselves, is a different form of compensation - and importantly, being part of an organized structure that is set up to actually be able to deliver that. That is why most of us got involved in theater in the first place.
Our shows are expensive to stage - they have bespoke period costumes, lavish and detailed set designs, large casts, exquisite props, exceptional sound and lighting and extensively supported rehearsal periods. The practitioners who work with us are experienced and excellent - many are ex-professionals from the industry - but the budgets have to exist in order for them to be able to demonstrate their skills. Because we do not pay ourselves or our participants, we have the ability to provide these budgets and our productions are elevated as a result. What we earn goes straight out onto the stage, and our audiences value the difference it makes, as is demonstrated by the full houses we have come to expect.
We recognize that this is not a choice that will work for everyone, but for a great many of the talented performers, artists and practitioners in our area, the opportunity to participate in an enterprise that is truly outstanding in its aspiration is as valued a form of compensation as the financial version.
IMAGES
Participation in one of our shows does convey the explicit understanding that you agree that we may use any images of you from rehearsal or production for any purpose, other than any commercial use. That is likely to involve your likenesses being published on platforms that are fully publicly accessible on the internet, and may include images being manipulated in any number of generative software graphics packages. What happens to pictures after they are made publicly available on social media is outside our control and we do not take any responsibility for that. We consider that to be the price of being involved in theatre. We will, however, never take pictures without letting you know they are being taken.
That is your commitment to us. Our commitment to you is that we will make all production shots available free of any charge. We use fantastic photographers and their pictures will be yours after the show for any purpose you choose.
